Private Collection

We ask her "are we dead?" to which she says that it's ok to know know. She greets us at the portal with our own head

Private Collection

The invisible camouflage burnbeast, iridescent in its sadness, searches for a new home and tries to leave behind all that got burned up for a bit.

The two lovers fall out of bed and in their furschlugginment, are merged into one being.

Sitting on the couch in their bomb shelter, the head of Epicurus appears in a ceramic lava lamp to tell the Shrinebeast lovers how worrying can give them powers.

The Shrinebeast slugs through the valley of their ex's, looking for a new home.

The Worried Man does his best to protect an endangered heron, observing William Blake's concept of Innocence while he wears the emblematic hand of the mysteries.

An entangled Kafka love monster is born.

She sits at the edge of the world in a future past, having grown the head of Medusa on the back of her own, she is the eternal survivor, and grows new civilizations on her body.

She wakes up alone, covered in flowers and pearls and carrying the head and face of her lover, before he was a Shrinebeast.

He wakes up alone, vomiting up pearls and trying to find her.

Private collection. The Shrinebeasts are carried by rose petals into a forest where they are sucked into the Kiss N' Booth, an interdimensional portal.

In the RISD Museum collection. The narrative beginning to the Shrinebeast Saga, in which two people are sitting on a living room couch when a meteor crashes in through the ceiling and transforms the couch into Bruegel and Rubens' Garden of Eden and the two of them into intertwined beings called Shrinebeasts.